Correction: My accident was eight, not ten years ago. I wasn't thinking straight. I probably haven't been for quite awhile. Presently, though, I will blame it on the pain. I've really fucked myself up this time.
And yet. . . one carries on.
There was no way I could stand going to the gym yesterday. I've started to lose feeling in my left hand fingertips. It isn't fun. But I could still walk, so I did. I took the two mile stroll around the neighborhood in the opposite direction of the golf course that I haven't walked for a good while. I decided to take a camera with me, my Mamiya 6 medium format film rangefinder. Why? Because I have been working on the surf series, and one day, and only one, I used it instead of the Holga, and the photos were intriguing. I was planning to shoot Halloween decorations around the 'hood, but I had forgotten something living with my mother these past going on three years--the people who live in mansions don't really do that sort of thing. In my mother's neck of the woods, elaborate decorations are de rigueur.
Thusly, I was carrying the brick around without making any pictures.
As I walked the long shoreline on the brick cypress lined road around the lake, I waved and smiled at one of the landscapers working there as is my proletariat habit. He smiled back and pointed to the camera. He didn't speak English so very much or well, but he made it clear that he wanted me to take his picture. Holy mackerel--it was like living in mid-century America before people were so paranoid. I paired him with a female coworker in good light, stepped back, focused, bent at the knees, and hit the shutter button.
I told him I could send him the photo when it was ready, and he handed me his phone. I put in my number and said, "Make sure you call me so I'll know where to send it."
He hadn't asked me to send it. I just offered. And as I walked away, waving and smiling, I wondered why I didn't take two pictures. Nervous, I guessed. Then I thought some more. I didn't even know what kind of film was in the camera. It had been in there a long time. How long? I hadn't used this camera forever. Shit. What if the film was bad? What if the meter battery was low? What if I didn't get a photo at all?
I was suddenly wishing I hadn't told him I'd send him a copy.
When I got back to my house, I decided I would take the film in for same day development. I was both excited by one prospect and paranoid of the other.
I showered and dressed and thought I would get out of the house before the cleaning crew arrived, but just as I started to back the car out of the driveway, their Mercedes Sprinter van pulled in the other end. I stopped the car and got out to greet them.
Big confession--the woman in charge and I get along like thieves, but. . . I don't know her name. I must have at one point, but I can't ask her now. It has been years. I know, I know. I'm a self-absorbed asshole. Still, we are buds, and she got out of the van with a big smile and a bottle of rum. She gave me a hug and exclaimed, "I'm not saying you drink, but I brought this back for you." She'd been on a cruise that went to her home country, Jamaica. Appleton Rum.
"I went to the Appleton factory on my trip to Jamaica in 1973," I said.
"The year I was born."
We chatted for a bit while the cleaners got everything out of the van. Then another hug and I was gone.
I dropped the film off at the little hipster lab. I'd never seen the pretty girl working the counter before, so I wasn't greeted with the hero's welcome I enjoy. She was nice enough, though, and when I asked if they could develop and scan the film that day, she checked with the lab and said yes.
"O.K. I'm nervous. I hope the film is good. There is one picture on there that I am interested in."
Cha-ching. I paid her a lot of money just to find out right away if I had a good photo of my Mexican friend.
I drove across the street to the Punks in the Waiting Room brewery. A turkey pesto sandwich and, of course, the beer. The day had grown warmer than forecast. I checked my phone while I waited for my sandwich. My Mexican friend hadn't called. Hmm. I had no messages. The tables around me were filled with boring tattooed people. Nothing to do but sit and wait. I took a phone pic of my beer. The music playing over the outdoor speakers was loud and bad. It was two. The sandwich came. I ate half and felt full, but I ate the second half, too. I knew I wouldn't be hungry come dinnertime.
On my way home, I stopped at the Cafe for a cafe con leche.
"Hello, Fred," the counter woman said when I walked in. A tall girl with a chiasma between her front teeth smiled big and said hi as if we were familiars. I recognized her as someone who worked there many years ago. Many. She was certainly glad to see me, I thought.
"C'mon," said the tall girl to the counter girl. "I need you."
What she needed her for was to make some photo booth pictures. Odd, I thought, but later I would understand that the tall girl was just visiting from out of state and wanted some memorabilia from her trip. I sat with my coffee and journal and wrote a tale. It was after three when I left.
"See you, Fred," the nice counter lady called as I was leaving. I didn't correct her. It could be good to use a pseudonym. You never know.
Back home, I remembered that I wanted to see if ChatGPT could bring back to life my old photos that were not photos, really, but small images, 35mm from corner to corner, on deteriorating proof sheets that I had scanned.
Indeed, it could if the image was not too grungy, but on some that were really f'ed up, it had a hard time.
There was another thing, though. These girls were standing in bikinis on a metal platform waving people in from the highway, but A.I. is so censored, it wouldn't give me flesh. I tried, but "the gatekeepers" wouldn't allow it. I have many images that A.I. will never clean up for me. It drives me nuts. Puritan Jihadists ruin everything.
It was time to get back to mom. I saw I had a missed call from the tenant. As I drove away, I called her back.
"What's up? I missed your call."
"Where are you?"
"I'm driving back to my mother's."
"Oh. I was wondering if you could give me a ride home."
She was at an ophthalmology appointment. She'd been waiting for a couple hours but had yet to see the doctor. She was in the opposite direction from my mom's house. I felt bad when I told her no, but everyone knows my schedule.
Or so it seems to me, but my mother's neighbors don't seem to understand that I live with my mother now.
"Are you going to be here tomorrow night?" the across the street neighbor asked me. I can only shake my head.
"I'm sorry, I can't," I told the tenant. "I have to make my mother dinner."
Wait until I need something next time, right? Yea. But here's the thing. She had a friend take her, but he couldn't stay.
"Uber," I said.
It wasn't much of a dinner. Soup. Neither of us was hungry. I cleaned up, poured a scotch, and sat on the couch. My mother is feeling poorly, and I can tell she is worried. Her legs have swollen, so I am taking her to the cardiologist today. I had to cancel a meeting with my broker to do so.
"I may end up in the hospital again," she said.
"Why?"
"My back."
She's in a lot of pain and thinks perhaps another of her vertebra has collapsed. She didn't care what was on t.v., so I relaxed and let YouTube play some music for me. It did a fine job.
I checked my phone again. The lab had sent the scans. I went to the computer to download the images. And holy moly--there they were! The film, the camera, everything was good.
But my Mexican friend never called. I guess he just wanted me to take his picture.
Here's some lo-fi music that YouTube played for me. I like it. This is what Sheryl Crow would sound like if her records weren't so overproduced. But that is what people like. Slick commercial sounds. They've been conditioned. Not us, though. Uh-uh. We're so cool.

























