Can I put it into words? The day--yesterday--went sideways on me. Whew. How do I begin?
"It's always good to start at the beginning."
That's a line from a movie, if I remember correctly. Maybe "The Wizard of Oz." Just follow the yellow brick road.
It was a dull, gray morning. We had to leave early to get to a doctor's appointment. Traffic was light and we arrived on time. Of course, we sat. We waited. Forty-five minutes later, the doctor's PA came in. My mother was there for an injection to help with her osteoporosis. We were in The Women's Pavilion of a big medical group, and I swear their mission is not to speak to men. I try, but they always keep their head and eyes pointed toward my mother. O.K. Good luck.
So the PA began asking my mother questions.
"What? I can't hear you."
The PA asks again, more loudly.
My mother cranes her neck forward and squinches up her eyes through her thick glasses to try and read the lips, but she shakes her head no. Now the PA looks at me. I feel like shaking my head no, too, but I begin answering questions. My mother seems forgotten. I go through the medical history since we were last here six months ago. I ask questions about my mother's blood panels. They have improved. Some are minimally good. Her bone density has increased. My mother cannot have her next dose, the PA says, until she sees the dentist. They need a note that the tooth that was removed is completely healed. They could have told me that before we came, I think, and my blood begins to boil at this high-toned incompetence, but I keep myself under control knowing where the power balance lies here. The PA knows.
We leave with another appointment date. We have not eaten breakfast, so I ask my mother if she would like an egg mcmuffin or would she rather I made breakfast.
Egg McMuffins all around.
I've been doing research for months on a question I have about Saul Leiter's photography. I sent queries to the Saul Leiter Foundation, to the Howard Greenberg Gallery and to Gallery Fifty-One. I was naive, I guess, in thinking that information is free. Apparently, I'm asking a prickly question for I have been met with silence. Their silence has lighted a fuse of intrigue. I spent a portion of the morning at my mother's trying to find answers through available sources on the internet.
Nobody, it seems, will provide the answer I'm looking for. But I will tell you something--if you are not using a good AI tool to help you shape your research queries, you are silly. Chat has been an invaluable tool.
The deluge came as I was preparing to leave for the gym. Noon. Don't count on the Weather app on your phone. They change the forecast constantly. I think they just look out the window. I don't own a rain jacket that is in decent shape which is silly in this state, so I waited a bit before I left.
After a workout and a shower, laundry in the washing machine at my own home, I sat down at my computer and delved into the research once again. Why, you ask? I need something to stimulate my brain. I've fallen into the retirement trap of a caregiver. As you probably often notice, I'm becoming incredibly stupid. I have an idea for an article that I think could be Cracker Jack. And so I spent the afternoon sleuthing. Way leads to way, of course, and the emphasis of my idea evolves. But I haven't lost track of my original intent. I'm just finding a different context of inquiry that may let some people or institutes open up and answer some of my questions. I am sneaking up on the answer through a greater means. I may find out what I want to know.
I may not.
Time flies, and suddenly it is later than you think. Where did the afternoon go? I had cleared my dinner plans in the morning with my mother.
"I think I'll get sushi tonight if that's alright. I can either come home and fix dinner for you first or I can go early and come home at six and. . . ."
"Do whichever. Either way."
It was almost five. I called my mother to see which way I should go. No answer on either her cell or her house phones. I call again. It is always worrisome, but I decide to go to dinner first. I throw the laundry into the drier and lock up the house.
When I get to the restaurant, it is already getting busy. But things seem off. I've been going to this place since it opened. It used to seem exotic. The dark interior and Asian decor was complimented by a quiet music. It was difficult for me to label, but it was sort of a low hipster chill sound resting in the middle ground, neither background nor foreground. The restaurant maintained a sophisticated vibe.
Last night, the sound system was blasting what sounded to me like K-pop and the crowd was loud. I felt like I was in a sushi-themed Chilis. The food was still good, but the vibe was not mine. They must know what they are doing, for by the time I had finished dinner, people were standing in line waiting for tables. But I felt I had eaten in a sports bar. People don't know how to behave anymore. That's not true, of course. They behave in the manner of their tribe and time. I have been left behind, perhaps, and am now the one out of step.
But I think I will have to find a new sushi restaurant. It will be more expensive, though. Quiet sophistication costs money. Dollar marks are ramparts against the hoi-polloi.
Not necessarily, though. I remember a guidebook I had for NYC that ranked places with dollar signs and kiss marks. I always looked for places that were $$💋💋💋 or so.
Money and romance.
I had been quick and true to my word and I was back at my mother's house by six. Just after. She was sitting in the garage when I pulled up. I asked her if she was ready for dinner. She wanted a beer first. I poured a worm-killer for myself. You can never be too careful with sushi.
All through dinner, my mind was working over the Leiter thing. I was hoping to watch some Leiter interviews while my mother ate. There are many, and I am looking for clues that might help me shape my questions. I had read in the afternoon that when they made the movie "Carol" in 2015, Saul Leiter was a major visual inspiration. When my mother got tired of me watching interviews, I thought I would say, "Hey. . . do you want to watch a movie?"
I'd never seen "Carol," and I don't have a clue why. It won numerous awards in 2015 from everyone except the Academy Awards which, at the time, I have read, was a stunner.
At eight-thirty, I rented the film.
Oh, my.
If you haven't seen it and want to, I would recommend you watch this short video first. Graeme Williams is by far the best photo critic with a YouTube series you'll find, and if you are not aware of Leiter's color photography and his connection to the Abstract Expressionists, you will get a fine, quick tutorial in how much Leiter's work is influenced by painters like Rothko, DeKooning, Kline, and Mondrian. Williams does some visual tricks to make this clear.
Once you know this, you can't unsee the influence in 85% of the film as it is shot through windows, framed by doors, broken up into planes. If you like Leiter, it is thrilling.
Somewhere toward the end of the film my mother said, "This is boring." I don't think she was comfortable once it became evident to her that the film was about lesbian love. She was certain, however, when Kate Blanchett and Rooney Mara got into bed together and took off their clothes.
"We're toward the end," I told her. "Do you want me to give you back the t.v.?"
"No, no, no," she barked gruffly and got up to do "things."
At film's end, I felt like doing a bit more research, but my mother had become peripatetic as she sometimes does in the night.
"What are you looking for?" I asked.
And the madness took over. She was looking for the "C-A-P-. . . the C-A-P-T-. . .I-O-N."
"You're looking for the caption? What does it look like?"
She was wild eyed. It took a long time to get a description. It was round with buttons. She needed it to go to bed. Why, I asked? She couldn't go to bed without it, she said. It controlled the tv. No, the computer. "No. . . leave me alone!"
So I got my laptop and let her roam. It was after midnight when I decided to go to bed, but my mother was still wandering around, looking in the refrigerator, in the kitchen drawers, cabinets, pantries.
Finally, I got her to bed, but when I got up at two to use the bathroom, all the lights were on and she was in the kitchen.
Yea, the day went a little sideways.
When I lay down in bed that night, I was thinking about the quiet sophistication of the film and how Leiter's life was not anything like that. He lived a bohemian existence of financial poverty and creative integrity. Such things.
Oh. . . how I long to marry the two. The positive parts, I mean.






















