Just woke up. Last night was bad juju for sleeping. Rather, for not sleeping. I've somehow damaged something on the right side of my rib cage midway down and slightly back. I don't know how or when. It just showed itself while I was showering after the gym. When I lay in bed last night, every breath was a shooting pain. At one this morning, I decided to take some Advil P.M. I still have the pain but now I am dopey, too. Hell of a combo.
I watched the Hemingway documentary on PBS last night. Two hours of biography. Nothing new or surprising. I enjoyed the old films and photos, of course. Some of the report suffered sins of omission, but you can't do everything. They said, for instance, that Hemingway's father killed himself because he suffered from depression, which was true, but they didn't mention that he was suffering terribly from diabetes in the time prior to synthesized insulin and, being a doctor, knew his circulation was so poor that he was going blind and would probably lose parts of his extremities. I don't think Ernest Hemingway was aware of that, at least not the severity. Ed Hemingway was a pious and savage Christian who did not drink or smoke and whose only "sinful pleasure" was his love of pie which he could no longer enjoy.
There you go.
They did play up the gender fluidity in Hemingway's life and work, of course. How can you not in these trans-times? They also pointed to his regrettable racism as evidenced in "The Sun Also Rises" and in the short stories. Kikes and niggers abound. Yup. But the doc didn't have the courage to tackle it in its complexity. All I can say is to read the texts, kids, and you will see. It is there in the mouths of the characters. But if you want to find the prejudices of the author, you must go to the thousands of letters he wrote that have been preserved. See what was social and what was personal. Without that, the argument is speculation and without evidence.
But. . . whatever.
The best part of the doc is how well they highlight Hemingway's dramatic departure from all prior writing. His style was sui generis; as they point out, it was as if he had never read the literature that had come before. So radical and new was his style that even the greatest of modern authors were stunned. Hemingway ran against the grain of complexity that was the hallmark of writers from Joyce to Eliot. Everyone could read Hemingway, yet as in the poems of Robert Frost, complexity was there below the surface of the still water if you chose to dive in. If not, you could still enjoy the picnic from the shore.
By the time he was thirty, Hemingway was the most famous writer in the Western world. And the wealthiest.
So, I have only picky complaints and a modicum of kudos. I'll watch part two tonight,
When that was over, I turned to the Baylor/Gonzaga game. No game there. Gonzaga looked terrified. Those Baylor boys were much too strong and mean for the likes of them. Too bad.
I turned it off and went to bed.
Regress to paragraph one.
I couldn't wait to post today's picture. The house is in the same neighborhood as the one I posted yesterday. It is modest and beautiful and something along the lines I might afford. Turns out my travel/art buddy knows the owner. I said that I was going to call him "Art," but I can't. I just don't like that name for him. I will need something else. However, he told me the house was struck by lightning and sustained extensive damage some years ago. Perhaps that is when they added the dormer upstairs. I'll have to ask. But the post-processing of the image thrilled me as soon as I had done it. It still does this morning.
The day is beautiful and I am coming to myself following the second cup of coffee. I need to be a little productive today. Retirement and Covid have made me more than lazy. I was going to take a long drive somewhere today, but the hours are slipping by. I have wedged my life between this morning ritual, healthful physical fitness, lunch, and visiting my mother at four. Habit isn't quite as awful as routine. I'm afraid I've slipped into the latter. I don't wish to break my mother's heart, but a change is in the offing. It must be or I am done. No excuses.
Except, gee, I got up so late this morning, and. . . .
You need to get up early when the light is good and true. You will break your mother’s heart. You will get into your car, and if you are lucky enough that the car is also good and true then you will travel. The road your travel must be long and real, and if you drive with passion and courage you will reach a destination. If you are lucky, that destination will be a truly great woman and when you make love to her you feel true and beautiful passion. And you for at least that moment lose your fear of death. I believe that love that is true and real creates a respite from death. All cowardice comes from not loving, or not loving well, which is the same thing. And when the man who is brave and true looks death squarely in the face it is because they love with sufficient passion to push death out of their minds, until the return that it does to all men. And then you must make really good love again. Think about it.
ReplyDeleteThat is Hemingway's later work, of course. And as we know. . .
Delete“ ‘Late work.’ It’s just another way of saying feeble work. I hate it. Monet’s messy last waterlilies, for instance — though I suppose his eyesight was shot. ‘The Tempest’ only has about 12 good lines in it. Think about it. ‘The Mystery of Edwin Drood.’ Hardly ‘Great Expectations,’ is it? Or Matisse’s paper cutouts, like something from the craft room at St. B’s. Donne’s sermons. Picasso’s ceramics. Give me strength" (Sebastian Faulks).
And then he died and was dead :)
This comment has been removed by the author.
ReplyDeleteThis comment has been removed by the author.
ReplyDeleteThis comment has been removed by the author.
ReplyDelete